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Theatrical graphic arts

 Lot   Description Price
№ 22

Costume design for the ballet "Bolero."

Author: Benois Alexander Nikolaevich

Year – 1928.
Size – 22х16.
Technique – Pencil on paper.

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№ 23

German costume sketch for ballet II Schwartz "Eve" scenario A. Belinsky, the novel I.S. Turgenev. Leningrad Malyi Theatre.

Author: Bruni Tatiana Georgievna

Year – 1960.
Size – 26,8х18,8.
Technique – Gouache on paper.

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№ 25

Drunkard.

Author: Benois Alexander Nikolaevich

Year – 1930s.
Size – 24,5х15,5.
Technique – Paper, watercolor, mixed media.

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№ 35

Sketch of a costume design for the theatrical production "Boris Godunov."

Author: Degay Aleksandr Nikolayevich

Year – 1920s.
Size – 30х24.
Technique – Paper, mixed technique.

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№ 27

Costume design for the opera chef "Love for Three Oranges" S.S. Prokofiev.

Author: Dobuzhinsky Mstislav Valerianovich

Year – 1949.
Size – 34,2х26,8.
Technique – Pencil on paper.

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№ 1

Theatrical costume sketch.

Author: Zhedrinskiy Vladimir Ivanovich

Year – 1930s.
Size – 29,3×22,5.
Technique – Lead pencil, watercolor on paper.

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№ 7

Costume sketch. Zarema (ballet The Fountain of Bakhchisarai).

Author: Unknown author

Year – 1927.
Size – 25.5х14.5.
Technique – Mixed media on paper.

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№ 8

Costume sketch. Khan Gerey (ballet The Fountain of Bakhchisarai).

Author: Unknown author

Year – 1927.
Size – 25.5х17.
Technique – Mixed media on paper.

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№ 17

Sketch of a theatrical costume.

Author: Bilinskiy Boris Konstantinovich

Year – 1930s.
Size – 33,9×23,5.
Technique – Lead pencil, watercolor on paper.

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№ 18

Girl. Theatrical costume.

Author: Ushin Nikolay Alekseevich

Year – 1930s.
Size – 24х15.
Technique – Gouache, ink on paper.

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№ 39

Costume design for "Soldier".

Author: Unknown author

Size – 29,5х19,5.
Technique – Watercolor on paper.

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№ 5

Lot of 5 sketches of theatrical costumes for the opera Lakme Leo Delibes.

Author: Siidova Izzet Ali Kyzi

Year – 1940s.
Size – 29,5×20,7.
Technique – Gouache on paper.

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№ 43

Theatrical costume sketch.

Author: Mandel S.S. Semyon Solomonovich

Year – 1960-е гг.
Size – 34,4х31,5.
Technique – Gouache on paper.

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№ 42

Set design for the ballet "Romeo and Juliet".

Author: Vyliams Petr Vladimirovich

Year – 1940s.
Size – 49х68,5 см.
Technique – Mixed media on cardboard.

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№ 28

Hall. Set design for the play Romeo and Juliet. Kirov (Mariinsky) Theater.

Author: Shterich Petr Alekseevich

Year – 1939.
Size – 37х55.
Technique – Gouache on paper.

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№ 40

Bartender. Costume design for the play "Russian Question".

Author: Sevastyanov Ivan Vasilevich

Year – 1950.
Size – 32х22.
Technique – Pencil, gouache on paper.

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№ 41

Costume design for Mephistopheles for Goethe's Faust for the Mayakovsky Theatre.

Author: Romadin Mikhail Nikolayevich

Year – 1964.
Size – 62,5х48.
Technique – Mixed media on paper.

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№ 3

Costume design for the opera "Eugene Onegin".

Author: Dobuzhinsky Mstislav Valerianovich

Year – 1937.
Size – 33х24.
Technique – Mixed media on paper.

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№ 26

Costume design for the theatrical performance "Boris Godunov".

Author: Degay Aleksandr Nikolayevich

Year – 1920s.
Size – 30х23,7.
Technique – Paper, mixed technique.

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№ 48

Costume design for the theatrical performance "Boris Godunov".

Author: Degay Aleksandr Nikolayevich

Year – 1920s.
Size – 30х23,7.
Technique – Paper, mixed technique.

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№ 2

Jockey. Costume design for the Paris theater "Theatre de la Chauve-Souris de Balieff".

Author: Dobuzhinsky Mstislav Valerianovich

Year – 1932.
Size – 30х18.
Technique – Mixed media on paper.

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№ 4

Costume design for a production of the ballet by I.F. Stravinsky "Petrushka". № 5

Author: Benois Alexander Nikolaevich

Year – 1930s.
Size – 31,5х24.
Technique – Paper, watercolor, mixed media.

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№ 30

Mackintosh's costume design for Summerset Maugham's play. Artist A.A. Popov.

Author: Bruni Tatiana Georgievna

Year – 1964.
Size – 33х21.
Technique – Gouache on paper.

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№ 16

Sad waltz. Costume design for the Vaganova Choreographic School.

Author: Bruni Tatiana Georgievna

Year – 1970s.
Size – 27х19.
Technique – Gouache on paper.

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№ 19

At the choreographic barre. Costume design for the Vaganova Choreographic School.

Author: Bruni Tatiana Georgievna

Year – 1970s.
Size – 31х21,5.
Technique – Gouache on paper.

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№ 47

Costume design for Natalia Sats's play "Adalmina's Pearl".

Author: Vesnin Alexander Alexandrovich

Year – 1920s.
Size – 43х31,5.
Technique – Watercolor on paper.

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№ 10

Costume design for the movie "Asya". Peignoir.

Author: Almedingen Boris Alekseevich

Year – 1927.
Size – 36х27.
Technique – Mixed media on paper.

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№ 46

Sketch for the theatrical production "Petrushka".

Author: Benois Alexander Nikolaevich

Year – The first half of the twentieth century.
Size – 22х15.
Technique – Mixed media on paper.

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№ 166

Costume design for the production "Boris Godunov": Tsarevna.

Author: Dobuzhinsky Mstislav Valerianovich

Year – First third of XX century.
Size – 33х24.
Technique – Watercolour on paper.

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№ 44

Costume design for the production "Les Noces de Psyche": Minerva.

Author: Benois Alexander Nikolaevich

Year – 1928.
Size – 22,5х5х15,2.
Technique – Pencil, ink and watercolor, heightened with gouache, silver and gold, on paper.

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The Soviet era graphic arts make a very wide-ranging section which covers the period from 1917 to 1991. It includes political posters and newspaper and magazine drawings, book illustration and caricature, easel drawings and many others. The Soviet graphic arts reflect the whole epoch to the full.

The Soviet era graphic arts and this section as a whole demonstrate graphic arts in all their breadth and diversity: both rigorous and elaborate practice drawings and masterly sketches, classical pencil and charcoal techniques and refined color harmonies of watercolor, gouache, pastel, as well as numerous printed graphics.

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The Soviet graphic arts are rightfully proud of many brilliant and outstanding masters. There are all the traditional and uniquely authorial techniques represented among the many particular drawings. The color in the graphic arts is used in a more figurative way than in painting, but even so, the pictorial language of the graphics is characteristic for its laconicism.

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