The SOVCOM, which starts a run on June 7th, represents Alexander Deineka, Yury Pimenov and Vladimir Stozharov, and estimation of pictures thereof makes everyone understand, that these artists are really the first. "Window in the Studio" by Alexander Deineka is offered for USD 125-130 – with a bundle of brushes in the pot and a lilac branch obscurely appearing against snow landscape behind the window.
The SOVCOM, which starts a run on June 7th, represents Alexander Deineka, Yury Pimenov and Vladimir Stozharov, and estimation of pictures thereof makes everyone understand, that these artists are really the first. "Window in the Studio" by Alexander Deineka is offered for USD 125-130 – with a bundle of brushes in the pot and a lilac branch obscurely appearing against snow landscape behind the window.
A small cartoon by Yury Pimenov, a Deineka’s SEP (Society of Easel Painters) Group colleague (adherents of the reflection of modern themes in the art by modern expressive tools, were brought up in 1931, as it had been to be expected, for the formalism, individualism and other “-isms”), has been estimated at USD 17-18.000. The most precious depicted elements are not even small fishing midget vessels, but a spill of red wine and lemon peels, occupying the foreground. “Caricature of Yury Pimenov“ made by Fyodor Reshetnickov, the author of the well-known “Two Again!” looks here very apropos, - as here are the painter himself and the characters of “New Quarters”, for which Pimenov got the Lenin’s prize in 1967, and the hint on the formalist past – swimming of red and blue horses in the Moscow River (1960, estimated at USD 8-9.000).
The highest estimate made by SOVCOM refers to Vladimir Stozharov, a country-side artist (without any social realistic kolkhoz features). - his large work "Girl with a ladle” (1960, estimated at USD 130-135.000)
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